The Compatible Morality

The Compatible Morality is a sacred group dance originating in The Conglomerate of Hamlets. The form guides dancers during improvised performances. The dance is accompanied by The Carefree Harmony. The dancers perform in a circle along an improvised path, moving to the music's siv rhythm. This dance is a refined artform, with three special positions and eleven specific moves to be mastered. The entire dance has a basic movement called the xathod. There is a series of two steps in a triangle pattern with a strong raised left arm and a straight-lined rightward bend. The grotesque dance is punctuated by leaps, clockwise eighth turns and vivacious hand gestures, with movement performed in succession by group members.

• The dance begins with the introduction of the music. The dancers perform slowly with the music. This section is energetic and passionate.
• The dance enters a new section with the passage of the music. The dancers perform slowly with the music. This passionate flamboyant vivacious section is punctuated by right leg lifts, joyous facial expressions and undulating sway.
• The dance enters a new section with the next passage of the music. The dancers perform quickly with the music. This section is spirited.
• The dance enters a new section with the coda of the music. The dancers perform very slowly with the music. This vivacious section is punctuated by movement along the line of dance.
• The hath is one of the fundamental dance positions. There should be a powerful leg lift.
• The th is one of the fundamental dance positions. There should be an aggressive arm carriage.
• The warothistrel is one of the fundamental dance positions. There should be a low body level with a weightless arm carriage, an aborted rightward bend and a passionate facial expression.
• The sisersem is one of the fundamental dance moves. There is an undulating body level change with a left kick and a raised arm.
• The xaka is one of the fundamental dance moves. There is a spirited body level change with passionate movement along the line of dance, a raised left arm and a joyous spin.
• The uc is one of the fundamental dance moves. There is a leftward bend.
• The fekgotahbas is one of the fundamental dance moves. There is a spirited rightward bend with a spin.
• The ukboko is one of the fundamental dance moves. There is a backward bend with a curved walk, debauched independent body movement and a joyous raised arm.
• The onth is one of the fundamental dance moves. First, there is a run with vigorous movement along the line of dance and independent body movement. Then there is an intense forward bend with a passionate straight walk. Then there is vivacious footwork with a soft spin and a sway. Finally, there is a jerking body level change with a strong leftward bend, a powerful run and lively independent body movement.
• The rujithrumo is one of the fundamental dance moves. There is an elaborate left leg lift.
• The quemtacir is one of the fundamental dance moves. There is a lively right leg lift with an elaborate raised left arm and movement along the line of dance.
• The nacaw is one of the fundamental dance moves. There is a lively curved walk.
• The wemoge is one of the fundamental dance moves. There is a body level change with an undulating arm carriage and debauched footwork.
• The buda is one of the fundamental dance moves. There is a vivacious sway.

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